- Joseph R. Lewis
Itâ€™s Halloween and Tru Holliwood is having a party, but nothing is what it seems as murder, musical numbers, nightmares, and a Fairy Godmother become part of Truâ€™s surreal celebration.
A thousand thrills crammed into 88 minutes! Bizarre, barbaric sights never before seen and beauties beyond compare! Sing, dance, laugh, cry, and whatever you do - Don't miss the unmissable SCUMBABIES - based upon the cursed Chicago legend of Liver Boyle!
â€œBasically, itâ€™s what would happen if John Waters and David Lynch dropped acid and ran away to join the circus together.â€
â€œWhat a strange, dreamlike, fun film. I donâ€™t think Iâ€™ve ever seen anything like itâ€¦gives off the feeling I try to get across with my comics- this is something handmade with love.â€
-Jeffrey Brown, Author CLUMSY, SAVE THE DATE
At 19:14 on 16 Aug 2012
As the market for independent films becomes more and more crowded, it can be tough for filmmakers to get their work noticed. In the case of Joseph R. Lewisâ€™s Scumbabies, the writer/director Lewis decided to debut his finished film with a variety show. There were musical performances by artists whose songs appeared in the film, comedy bits, short films, and some extemporaneous carny-style storytelling about the man supposedly behind it all, Liver Boyle. Leading up to the show, Lewis had been posting short videos related to the filmâ€™s creation and guerilla marketing, as well as creating â€œ3-D comicsâ€ art pieces that act as companions and extensions of the filmâ€™s world. When the time came to actually show the film, the audience had already gotten considerably more than their moneyâ€™s worth. Luckily, the film itself is even more entertaining and engaging than the show leading up to it. Lewis clearly immersed himself in the world of this film, and while watching every video clip and playing with all the â€œcomicsâ€ certainly adds to the experience, Scumbabies is more than strong enough to stand on its own as a fascinating and highly unique filmgoing experience. Tru Holliwood (Emilia Richeson) is having a Halloween party. The first surprise guest is her estranged ex-boyfriend Ash Wednesday (Paul Brindley) dressed as Groucho Marx, followed quickly by the mysterious Gabe (Brandon Lim) in a monkey mask. Gabe collapses dead in Truâ€™s doorway, and in a panic she decides the best thing to do is hide the body until the party is over. The situation becomes more complicated with the arrival of surly Izzy Sue (Casey Dzierlenga) and oblivious Francis Poof (Eric Peck). Rounding out the party are the twins Anne and Andy Desmond (Rachel Castillo and Tyler Jenich) and, unfortunately, Gabeâ€™s Mom (Elle Ritchie). The setup is traditional farce, which is clearly one of the main strands of the filmâ€™s DNA. But Lewis mixes up so many different styles of storytelling that the film comes out looking like classic slapstick as reinterpreted through the machine-gun editing of Moulin Rouge, an irrepressible â€œletâ€™s put on a show!â€ enthusiasm, and the low-budget grit of 70â€™s exploitation cinema. Characters might break out into song in one scene and engage in foul-mouthed screwball patter in the next, all while bright colors pop off the screen and the quick cutting keeps the audienceâ€™s eyes glued to the screen. Like similarly frenetic films, Scumbabies can be an exhausting watch. However, also like the best of those films, Scumbabies is also exhilarating, especially as an independent film. The cast is fantastic, especially Eric Peck as Francis, who has a couple of particularly difficult and emotional scenes that he absolutely nails. Scumbabies radiates a wild, infectious energy that few films, independent or otherwise, ever manage. In short, if thereâ€™s a Scumbabies party coming to your town, you should make it a point to attend. Youâ€™ll be in for a filmgoing experience unlike anything else out there.